Études Photographiques: Issue 26
Softcover | 16 x 1.7 x 24.5 cm | 240 pp
Société Française de Photographie | 2010 | 9782911961267
Text in English and French
Since 1996, with contributions by noted scholars, the peer-reviewed journal Études Photographiques, has been leading the way in providing academics and the arts community access to the most current research on photography, the history of photography and visual culture.
CONTENTS:
The ‘Greatest of War Photographers’: Jimmy Hare, A Photojournalist at the Turn of the Twentieth Century
On the Efficacy of Artifice: PM, Radiophoto, and the Journalistic
Discourse of Photographic Objectivity
True Crime Magazines: Formal Strategies in the True Crime Photograph
Joachim Schmid: O Campo
Wide Angle at the Beach: The Origins of the Paparazzi and the Cannes Film Festival
The Colour of May 1968: Paris Match and the Events of May and June 1968
Photojournalistic Integrity: Codes of Conduct, Professional Ethics, and the Moral Definition of Press Photography
Description
Softcover | 16 x 1.7 x 24.5 cm | 240 pp
Société Française de Photographie | 2010 | 9782911961267
Text in English and French
Since 1996, with contributions by noted scholars, the peer-reviewed journal Études Photographiques, has been leading the way in providing academics and the arts community access to the most current research on photography, the history of photography and visual culture.
CONTENTS:
The ‘Greatest of War Photographers’: Jimmy Hare, A Photojournalist at the Turn of the Twentieth Century
On the Efficacy of Artifice: PM, Radiophoto, and the Journalistic
Discourse of Photographic Objectivity
True Crime Magazines: Formal Strategies in the True Crime Photograph
Joachim Schmid: O Campo
Wide Angle at the Beach: The Origins of the Paparazzi and the Cannes Film Festival
The Colour of May 1968: Paris Match and the Events of May and June 1968
Photojournalistic Integrity: Codes of Conduct, Professional Ethics, and the Moral Definition of Press Photography
