Tomma Abts
Hardcover | 20.96 x 2.22 x 26.99 cm | 136 pp
Phaidon | 2008 | 9780714848822
Born in Germany and based in London, Tomma Abts has received considerable acclaim for her paintings and drawings. In 2006 she was awarded the Turner Prize.
Each Tomma Abts painting is the result of an intuitive process, a complex operation of addition and substraction. Within rigid parameters – unvarying materials and size – she conjures a progression of shapes and colours, building layer upon layer of seemingly spontaneous geometry until the work reaches its culmination: an abstract arrangement in perfect tension.
This volume, the artist's first extensive monograph, provides a comprehensive survey of her work, with full-colour images of thirty-seven paintings, and eighteen drawings, as well as three specially commissioned essays. In the first essay, Laura Hoptman dismantles abstraction's historical framework to illustrate the uniqueness of Abts' approach. Jan Verwoert meditates on the subversive power of contemplation, finding in Abts' artistic process a validation of "the beauty of latency". Bruce Hainley gazes at Abts' work through the fictional eyes of Margit Carstensen – actress, muse, and star of Rainer Werner Fassbinder's The Bitter Tears of Petra Von Kant.
Original: $40.61
-65%$40.61
$14.21
Description
Hardcover | 20.96 x 2.22 x 26.99 cm | 136 pp
Phaidon | 2008 | 9780714848822
Born in Germany and based in London, Tomma Abts has received considerable acclaim for her paintings and drawings. In 2006 she was awarded the Turner Prize.
Each Tomma Abts painting is the result of an intuitive process, a complex operation of addition and substraction. Within rigid parameters – unvarying materials and size – she conjures a progression of shapes and colours, building layer upon layer of seemingly spontaneous geometry until the work reaches its culmination: an abstract arrangement in perfect tension.
This volume, the artist's first extensive monograph, provides a comprehensive survey of her work, with full-colour images of thirty-seven paintings, and eighteen drawings, as well as three specially commissioned essays. In the first essay, Laura Hoptman dismantles abstraction's historical framework to illustrate the uniqueness of Abts' approach. Jan Verwoert meditates on the subversive power of contemplation, finding in Abts' artistic process a validation of "the beauty of latency". Bruce Hainley gazes at Abts' work through the fictional eyes of Margit Carstensen – actress, muse, and star of Rainer Werner Fassbinder's The Bitter Tears of Petra Von Kant.
