Whitney Biennial 2010
Softcover | 19.69 x 2.54 x 23.5 cm | 256 pp
Whitney Museum of American Art | 2010 | 9780300162424
Since its inauguration in 1932, the Whitney Biennial has showcased contemporary artistic innovation, becoming a highly anticipated event in the art world. The 2010 Biennial was curated by Francesco Bonami and Gary Carrion-Murayari and featured works by approximately 55 artists working in a variety of media and practices.
Uniquely, this catalogue serves as both a handsome accompaniment to the 2010 exhibition and an insightful exploration of the significance of this acclaimed and often controversial event throughout its history. In addition to presenting full-colour reproductions of the selected artists' recent work, the curators prepared a joint essay on the 2010 exhibition, and a group of writers contributed brief entries on the represented artists' techniques, influences and recent work.
A detailed appendix features a short text on the significance of the museum's annual and biennial exhibitions in the context of the museum's history and broader collection, as well as photographs of previous installations, facsimiles of historical reviews, and a chronological list of artists included in past annuals and biennials. Thumbnails of all previous catalogue covers are also included, positioning each Biennial as a snapshot of artistic practice at a particular moment.
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Description
Softcover | 19.69 x 2.54 x 23.5 cm | 256 pp
Whitney Museum of American Art | 2010 | 9780300162424
Since its inauguration in 1932, the Whitney Biennial has showcased contemporary artistic innovation, becoming a highly anticipated event in the art world. The 2010 Biennial was curated by Francesco Bonami and Gary Carrion-Murayari and featured works by approximately 55 artists working in a variety of media and practices.
Uniquely, this catalogue serves as both a handsome accompaniment to the 2010 exhibition and an insightful exploration of the significance of this acclaimed and often controversial event throughout its history. In addition to presenting full-colour reproductions of the selected artists' recent work, the curators prepared a joint essay on the 2010 exhibition, and a group of writers contributed brief entries on the represented artists' techniques, influences and recent work.
A detailed appendix features a short text on the significance of the museum's annual and biennial exhibitions in the context of the museum's history and broader collection, as well as photographs of previous installations, facsimiles of historical reviews, and a chronological list of artists included in past annuals and biennials. Thumbnails of all previous catalogue covers are also included, positioning each Biennial as a snapshot of artistic practice at a particular moment.
