Homage to Ian Hamilton Finlay
Yves Abrioux
Softcover | 15.5 x 16.8 | 48 pp | 22 colour images
Coracle & Victoria Miro Gallery | 1987
Edition of 1000
Rare and collectable
Published on the occasion of an exhibition of Hamilton Finlay's work at Victoria Miro Gallery, London in 1987.
A philosopher, sculptor and poet, Ian Hamilton Finlay (1925-2006) reinvigorated the classical tradition in a body of work that encompasses a variety of creative forms to celebrate the sustaining power of words. His diverse production encompassed a variety of creative forms including prints, poems, books, inscriptions, neons, sculptures, permanent installations and landscape design.
The purest kind of conceptual artist, Finlay was sensitive to the formalist concerns (colour, shape, scale, texture, composition) of literary and artistic modernism. For almost forty years, he formed his works using philosophical texts, myths, characters and images from the past to make enigmatic juxtapositions and in so doing new thoughts. Finlay's adept use of syntax and narrative configuration weaved refined distinctions with a lyrical philosophy. His skill lay in his unique ability to break down complex ideas into coherent single words and short phrases, infused with Finlay's characteristic wit and, often, wry humour.
Description
Yves Abrioux
Softcover | 15.5 x 16.8 | 48 pp | 22 colour images
Coracle & Victoria Miro Gallery | 1987
Edition of 1000
Rare and collectable
Published on the occasion of an exhibition of Hamilton Finlay's work at Victoria Miro Gallery, London in 1987.
A philosopher, sculptor and poet, Ian Hamilton Finlay (1925-2006) reinvigorated the classical tradition in a body of work that encompasses a variety of creative forms to celebrate the sustaining power of words. His diverse production encompassed a variety of creative forms including prints, poems, books, inscriptions, neons, sculptures, permanent installations and landscape design.
The purest kind of conceptual artist, Finlay was sensitive to the formalist concerns (colour, shape, scale, texture, composition) of literary and artistic modernism. For almost forty years, he formed his works using philosophical texts, myths, characters and images from the past to make enigmatic juxtapositions and in so doing new thoughts. Finlay's adept use of syntax and narrative configuration weaved refined distinctions with a lyrical philosophy. His skill lay in his unique ability to break down complex ideas into coherent single words and short phrases, infused with Finlay's characteristic wit and, often, wry humour.
