Kinesthesia: Latin American Kinetic Art 1954-1969
Dan Cameron & Susan Green
Hardcover | 24.92 x 2.54 x 29.21 cm | 240 pp
Prestel | 2017 | 9783791356730
Kinesthesia: Latin American Kinetic Art, 1954-1969 examines the influential and visually stunning work of South American kinetic artists. While Southern California was becoming the North American epicentre for Light and Space art in the 1960s, separate yet closely related technical experiments had been unfolding in a handful of major cities of South America, as well as in Paris.
Kinesthesia highlights the broad differences that emerged among the two principal South American centres of activity: Argentina, where kinetic art grew out of local debates about painting; and Venezuela, where pioneering notions of modern architecture stimulated a synthesis of art and design.
Featured in this volume are kinetic sculptures and installations by Jesus Rafael Soto, Julio Le Parc, Carlos Cruz- Diez, Martha Boto, and others, as well as essays that explore the history of this movement, examine the artists' reception by European and American audiences in the context of the Cold War, and link their achievements to 21st-century artists and their work.
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Description
Dan Cameron & Susan Green
Hardcover | 24.92 x 2.54 x 29.21 cm | 240 pp
Prestel | 2017 | 9783791356730
Kinesthesia: Latin American Kinetic Art, 1954-1969 examines the influential and visually stunning work of South American kinetic artists. While Southern California was becoming the North American epicentre for Light and Space art in the 1960s, separate yet closely related technical experiments had been unfolding in a handful of major cities of South America, as well as in Paris.
Kinesthesia highlights the broad differences that emerged among the two principal South American centres of activity: Argentina, where kinetic art grew out of local debates about painting; and Venezuela, where pioneering notions of modern architecture stimulated a synthesis of art and design.
Featured in this volume are kinetic sculptures and installations by Jesus Rafael Soto, Julio Le Parc, Carlos Cruz- Diez, Martha Boto, and others, as well as essays that explore the history of this movement, examine the artists' reception by European and American audiences in the context of the Cold War, and link their achievements to 21st-century artists and their work.
